{"id":1170,"date":"2024-12-05T12:00:51","date_gmt":"2024-12-05T12:00:51","guid":{"rendered":"https:\/\/2025.semainedelacritique.ca\/presentation\/"},"modified":"2024-12-19T16:40:37","modified_gmt":"2024-12-19T16:40:37","slug":"presentation","status":"publish","type":"post","link":"https:\/\/2025.semainedelacritique.ca\/en\/presentation\/","title":{"rendered":"Presentation"},"content":{"rendered":"\n<div class=\"wp-block-group semaine_presentation is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-6 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-5 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns semaine_d-desktop is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-1024x576.jpg\" alt=\"\" class=\"wp-image-1102\" srcset=\"https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-1024x576.jpg 1024w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-300x169.jpg 300w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-768x432.jpg 768w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group semaine_texte-presentation is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<p>Founded by the Montreal-based online magazine <em>Panorama-cin\u00e9ma<\/em>, the 1<sup>st<\/sup> Montreal Critics\u2019 Week \u2013 the first Critics\u2019 Week event in Canada \u2013 inaugurates a yearly gathering meant to increase the space for discourse and discovery around cinema. This non-competitive festival will showcase new and distinct voices with an emphasis on the thematic, political, and formal ramifications of the chosen works \u2013 paired, juxtaposed, or contrasted in ways that encourage inquisitive and curious modes of spectatorship. <br><br>This new event opens on a clich\u00e9: that film criticism \u2013 and by extension film critics \u2013 may be too demanding, elitist, disgruntled, or obsolete. And yet, film criticism also endeavors to define new trends, to champion new voices, and to curate works in ways that propel the art form forward \u2013 that make cinema accessible in a project distinct from the requirements of marketing. Everywhere, similar questions arise again and again, concerning the <em>streaming<\/em> ecosystem, the politics of festivals, the lack of funding in the arts, and the limits of the image itself. More than ever, film critics must make a useful contribution to these conversations through their choices.<br><br>This selection attempts to paint a critical portrait of the world today, grappled with by films of great perspective, ambition, and integrity, no matter whether they are rendered in hushed, soft tones or bursts of DIY anger, or even provocation. As such, this selection of works embodies many of the tensions of the current moment, around questions of austerity, separating fact from fiction, challenging war and colonialism, confronting loss or memory, and bringing people together around the act of creation and its community. We invite you to discover the films, and the connections and conversations they may create when placed together in such a context.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-1 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.zeffy.com\/fr-CA\/ticketing\/passeport-1ere-semaine-de-la-critique-de-montreal\" target=\"_blank\" rel=\"noreferrer noopener\">GET YOUR PASSPORT<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns semaine_d-mobile is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-1024x576.jpg\" alt=\"\" class=\"wp-image-1102\" srcset=\"https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-1024x576.jpg 1024w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-300x169.jpg 300w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL-768x432.jpg 768w, https:\/\/2025.semainedelacritique.ca\/app\/uploads\/2024\/12\/Banniere-Web-SMALL.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<p>Founded by the Montreal-based online magazine <em>Panorama-cin\u00e9ma<\/em>, the 1<sup>st<\/sup> Montreal Critics\u2019 Week \u2013 the first Critics\u2019 Week event in Canada \u2013 inaugurates a yearly gathering meant to increase the space for discourse and discovery around cinema. This non-competitive festival will showcase new and distinct voices with an emphasis on the thematic, political, and formal ramifications of the chosen works \u2013 paired, juxtaposed, or contrasted in ways that encourage inquisitive and curious modes of spectatorship. <br><br>This new event opens on a clich\u00e9: that film criticism \u2013 and by extension film critics \u2013 may be too demanding, elitist, disgruntled, or obsolete. And yet, film criticism also endeavors to define new trends, to champion new voices, and to curate works in ways that propel the art form forward \u2013 that make cinema accessible in a project distinct from the requirements of marketing. Everywhere, similar questions arise again and again, concerning the <em>streaming<\/em> ecosystem, the politics of festivals, the lack of funding in the arts, and the limits of the image itself. More than ever, film critics must make a useful contribution to these conversations through their choices.<br><br>This selection attempts to paint a critical portrait of the world today, grappled with by films of great perspective, ambition, and integrity, no matter whether they are rendered in hushed, soft tones or bursts of DIY anger, or even provocation. As such, this selection of works embodies many of the tensions of the current moment, around questions of austerity, separating fact from fiction, challenging war and colonialism, confronting loss or memory, and bringing people together around the act of creation and its community. We invite you to discover the films, and the connections and conversations they may create when placed together in such a context.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-2 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.zeffy.com\/fr-CA\/ticketing\/passeport-1ere-semaine-de-la-critique-de-montreal\" target=\"_blank\" rel=\"noreferrer noopener\">GET YOUR PASS<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Founded by the Montreal-based online magazine Panorama-cin\u00e9ma, the 1st Montreal Critics\u2019 Week \u2013 the first Critics\u2019 Week event in Canada \u2013 inaugurates a yearly gathering meant to increase the space for discourse and discovery around cinema. This non-competitive festival will showcase new and distinct voices with an emphasis on the thematic, political, and formal ramifications [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1427,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/posts\/1170"}],"collection":[{"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/comments?post=1170"}],"version-history":[{"count":6,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/posts\/1170\/revisions"}],"predecessor-version":[{"id":1440,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/posts\/1170\/revisions\/1440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/media\/1427"}],"wp:attachment":[{"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/media?parent=1170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/categories?post=1170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2025.semainedelacritique.ca\/en\/wp-json\/wp\/v2\/tags?post=1170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}