{"id":1047,"date":"2024-12-05T16:00:46","date_gmt":"2024-12-05T16:00:46","guid":{"rendered":"https:\/\/2025.semainedelacritique.ca\/thursday-january-16-2025\/"},"modified":"2025-01-07T19:49:39","modified_gmt":"2025-01-07T19:49:39","slug":"thursday-january-16-2025","status":"publish","type":"post","link":"https:\/\/2025.semainedelacritique.ca\/en\/thursday-january-16-2025\/","title":{"rendered":"Thursday, January 16, 2025"},"content":{"rendered":"\n
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Thursday, January 16, 2025<\/h1>\n\n\n

STILL LIFE<\/h1>\n\n\n\n

Cin\u00e9ma Moderne<\/h3>\n<\/div>\n\n\n\n
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7:00 PM:<\/td>Base Station<\/td><\/tr>
(8:20 PM):<\/td>Sept promenades avec Mark Brown<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n
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TICKETS<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n\n\n\n
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It’s hard to tackle environmental issues without claiming a symbiotic relationship between human beings and their ecosystem, not only as dwellers of the land, but as thinkers and artists within it. That is the objective of this program, which invites us on a long hike alongside nature’s refugees and admirers alike. Through a seemingly paradoxical form of digital organicity, the films’ mise-en-scene approaches flora as a living space of fickle, changing dispositions, at once a site for meditation and a vector of raging paranoia. Hence the program’s parallel forms of lyricism that apply simultaneously to the films\u2019 protagonists and its subjects, to makers and their environment — the latter conceived here as a character onto itself, whether hindered by 5G or made glorious in the camera’s eye.<\/p>\n\n\n\n